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Giuseppe Benoni (1618–1684), architect; Eugene de Blaas (1843–1932), painter in the Academic Classicism school; Boccaccio Boccaccino (c. 1467–c. 1525), painter belonging to the Emilian school; Camillo Boito (1836–1914), architect and engineer; Bartolomeo Bon (d. after 1464), architect and sculptor
Often called "the first art historian", [16] Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Excellent Painters, Sculptors, and Architects). This work was first published in 1550 and dedicated to Grand Duke Cosimo I de' Medici.
As a result, the city's architecture became a major showcase of Art Deco and colonial Mauresque architecture. Notable examples include the civic buildings of Muhammad V Square (Place Mohammed V), the Cathedral of Sacré-Coeur, the Art Deco-style Cinéma Rialto, the Neo-Moorish-style Mahkamat al-Pasha in the Habous district.
The building site of Palazzo Marino introduced Galeazzo Alessi to Milan: [29] it is surely the architect's most famous city work, and the palace is regarded as Milan's most representative Mannerist civil architecture. Other famous building sites of the second half of the sixteenth century in Milan include the renovation of Villa Simonetta [30 ...
Meanwhile, in the former territories of al-Andalus under the control of the Spanish kingdoms of Léon, Castile and Aragon, Andalusi art and architecture continued to be employed for many years as a prestigious style under new Christian patrons, becoming what is known as Mudéjar art (named after the Mudéjars or Muslims under Christian rule ...
The Lives of the Most Excellent Painters, Sculptors, and Architects (Italian: Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as The Lives (Italian: Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older ...
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