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The gallery was founded in 1897 as the National Gallery of British Art. When its role was changed to include the national collection of modern art as well as the national collection of British art, in 1932, it was renamed the Tate Gallery after sugar magnate Henry Tate of Tate & Lyle, who had laid the
Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. [3] It is part of the Tate network of galleries in England, with Tate Modern , Tate Liverpool and Tate St Ives .
Tate Modern is an art gallery in London, housing the United Kingdom's national collection of international modern and contemporary art (created from or after 1900). It forms part of the Tate group together with Tate Britain , Tate Liverpool and Tate St Ives . [ 2 ]
Tate Liverpool was created to display work from the Tate Collection which comprises the national collection of British art from the year 1500 to the present day, and international modern art. The gallery also has a programme of temporary exhibitions. Until 2003, Tate Liverpool was the largest gallery of modern and contemporary art in the UK ...
The respective remits of the National and Tate Galleries, which had long been contested by the two institutions, were more clearly defined in 1996. 1900 was established as the cut-off point for paintings in the National Gallery, and in 1997 more than 60 post-1900 paintings from the collection were given to the Tate on a long-term loan, in ...
The Tate — four museums that house the United Kingdom's national collection ... National Gallery Act 1856; National Gallery and Tate Gallery Act 1954; P. Palais de ...
The Gallery of H.M.S. 'Calcutta' (Portsmouth) The Garreteer's Petition; The Ghost of a Flea; Gillingham Bridge; Girl in a Chemise; The Girlhood of Mary Virgin; The Glebe Farm; Godiva Preparing to Ride through Coventry; The Golden Bough (painting) The Golden Stairs; The Grand Attack on Valenciennes; The Great Day of His Wrath; The Grove ...
John T. Hopkins, '"Such a Twin Likeness there was in the Pair": An Investigation into the Painting of the Cholmondeley Sisters', reprinted from Transactions of the Historic Society of Lancashire and Cheshire [for the Year 1991], vol.141, pp. 1–37, referred to in The Cholmondeley Ladies, Tate Gallery, texts; The Cholmondeley Ladies, Tate ...