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English opulence, Italian reticella lace ruff, (possibly) Polish ornamentation, a French farthingale, and Spanish severity: The "Ermine Portrait" of Elizabeth I. Fashion in the period 1550–1600 in European clothing was characterized by increased opulence.
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
St John the Baptist wears his iconographical clothes, but the sainted English kings Edward the Confessor and Edmund the Martyr are in contemporary royal dress. The Wilton Diptych 1395–99. Wool was the most important material for clothing, due to its numerous favourable qualities, such as the ability to take dye and its being a good insulator. [5]
English court dress from the 1660s, made of silver tissue and decorated with applied parchment lace. [4] From the Fashion Museum, Bath. Peter Lely portrays Two Ladies of the Lake Family wearing satin dresses over shifts or chemises with voluminous sleeves. Their hair is worn in masses of ringlets to the shoulders on either side, and both wear ...
Margherita Portinari, a banker's daughter of Bruges, [46] wears a green dress laced up the front with a single lace over a dark kirtle. Her hair is worn loose under a black cap with a pendant jewel, Netherlands, 1476–1478. Children's clothing during the Italian Renaissance reflected that of their parents.
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Rich silk weaves, such as satin, taffeta, and velvet created luxurious gowns. In the 18th century, formal dress started as the mantua, but later developed into the elaborate sack-back gown. The farthingale, popular during the 16th/17th centuries, evolved into the pannier to give dresses and skirts extra volume and the desired court silhouette.
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