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The beginning of Virgil's Eclogues, 15th century manuscript, Vatican Library. An eclogue is a poem in a classical style on a pastoral subject. Poems in the genre are sometimes also called bucolics. The term is also used for a musical genre thought of as evoking a pastoral scene.
Incipit page of Eclogue 1 in a 1482 Italian translation of Bucolics. Several scholars have attempted to identify the organizational principles underpinning the construction of the book. [3] [4] Most commonly the structure has been seen to be symmetrical, turning around eclogue 5, with a triadic pattern.
In Eclogue 6.4, Virgil himself is addressed by the god Apollo as "Tityrus"; he goes on to narrate the song of the god Silenus. [19] This Tityrus is linked to the Tityrus of Eclogue 1 by the phrase "I shall sing of the rustic Muse on a thin reed" (6.8), which recalls a similar phrase in Eclogue 1.2. [20]
Cristoforo Majorana – Leaf from Eclogues, Georgics and Aeneid – Walters W40016V – Open Reverse Virgil's model for composing a didactic poem in hexameters is the archaic Greek poet Hesiod , whose poem Works and Days shares with the Georgics the themes of man's relationship to the land and the importance of hard work.
Titus Calpurnius Siculus was a Roman bucolic poet. Eleven eclogues have been handed down to us under his name, of which the last four, from metrical considerations and express manuscript testimony, are now generally attributed to Nemesianus, who lived in the time of the emperor Carus and his sons (latter half of the 3rd century).
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Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature.