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Mazzio's Italian Eatery is a restaurant specializing in pizzas, pastas, sandwiches, and occasionally other specialty items. Mazzio's began as a pizza parlor and is located throughout Oklahoma , Kansas , Texas , Iowa , Missouri , Arkansas , Tennessee , Mississippi , Georgia , and Illinois .
The payoffs were part of a larger $150,000 bribery scheme for which Ulrich has already been indicted criminally. He allegedly accepted bribes from Mazzio, the owner of Mike’s Heavy Duty Towing ...
La Casa Pizzaria is a family owed series of restaurant in Omaha, Nebraska. The original La Casa Pizzaria is located on 45th & Leavenworth St., while two sister locations are located at 84th and Grover Streets (often referred to as 'the Grover location' or "La Casa West') and at 168th and Pacific Streets (Also referred to as 'La Casa Pizzaria West at Pacific Springs').
The Band’s resistance against Line 5 is “a new chapter of a very old story,” said Mary Mazzio, the director of the documentary. "Bad River" shows the Band’s constant battle for land, water ...
La Casa (lit: The House) is the name given to a collection of mostly unrelated horror films which were retitled and marketed in Italy as one single series. [1] They include movies from both the Evil Dead film series and the House film series.
Raquel is an inspector for the National Police Corps tasked with negotiating with the robbers in parts 1 and 2. However, during the negotiations, she meets the Professor, who introduces himself to her in a bar under the name Salvador Martín, and embarks on a relationship with him.
Mary Mazzio is an American documentary filmmaker, attorney, and a rower for the United States in the 1992 Olympics. [1] She founded the independent film company 50 Eggs. [2] Mazzio received a B.A. in philosophy and political science from Mount Holyoke College in 1983 [3] and a J.D. from Georgetown Law.
La casa (Spanish: "The House") is a 1954 novel by Argentine writer Manuel Mujica Lainez. [1]It tells the story of a family living in a stately Buenos Aires mansion from the heyday of Argentina's oligarchy in the 1880s to some time in the post-1946 period, the era of Peronist populism, seen typically as incarnating the end of History, the crisis of modern civilization.