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Shanti Mantras are invoked in the beginning of some topics of the Upanishads. They are believed to calm the mind and the environment of the reciter. Shanti Mantras always end with the sacred syllable om (auṃ) and three utterances of the word "shanti", which means "peace". The reason for the three utterances is regarded to be for the removal ...
A mangalacharana (Sanskrit: मङ्गलाचरणम्, romanized: maṅgalācaraṇam) [1] or a mangalashloka [2] is a benedictory verse traditionally ...
The Gayatri mantra is cited widely in Hindu texts, such as the mantra listings of the Śrauta liturgy, and classical Hindu texts such as the Bhagavad Gita, [5] [6] Harivamsa, [7] and Manusmṛti. [8] The mantra and its associated metric form was known by the Buddha. [9] The mantra is an important part of the initiation ceremony.
The text is originally a Sanskrit Indian Buddhist work, and it is the most popular prayer to Tara in Tibetan Buddhism. [ 1 ] The Praise appears in the Derge Kangyur as "“Offering Praise to Tara through Twenty-One [verses] of Homage” ( Wylie : sgrol ma la phyag 'tshal ba nyi shu gcig gis bstod pa)."
The mantra was translated from Sanskrit into Chinese by Guṇabhadra (Sanskrit; Chinese: 求那跋陀羅, 394–468) from central India. It is usually recited 21, 27 or 49 times per day. [2] In one type of group practice, participants usually recite this mantra three times after reciting the Heart Sutra or the Amitabha Sutra.
The Mañjuśrīmūlakalpa states that mantras taught in the Shaiva, Garuda and Vaishnava tantras will be effective if applied by Buddhists since they were all taught originally by Mañjuśrī. [7] The attribution to Mañjuśrī is an attempt by its author(s) to counter the objection that the teachings in this text are of non-Buddhist origin.
Rudrashtakam (Sanskrit: रुद्राष्टकम्, IAST: Rudrāṣṭakam) is a Sanskrit meditation mantra invoking Rudra, an epithet of Shiva.It was ...
The Sanskrit scholar Barbara Stoler Miller translated these sections as Among Fools and Kings, Passionate Encounters and Refuge in the Forest respectively. Especially in the Vairāgyaśataka , but also in the other two, his poetry displays the depth and intensity of his renunciation as he vacillates between the pursuits of fleshly desires and ...