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At the end of the Restoration (1814–1830) and during the Louis-Philippe period (1830-1848), Gothic Revival motifs start to appear in France, together with revivals of the Renaissance and of Rococo. During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets ...
Erik Gustaf Geijer was a member of the 19th-century Gothic League (or the Geatish Society), which propagated the now-familiar image of the Viking as a heroic Norseman. Gothicism or Gothism ( Swedish : Göticism Swedish pronunciation: [ˈjøːtɪsˌɪsm] ; Latin : Gothicismus ) was an ethno-cultural ideology and cultural movement in Sweden ...
This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns. William Morris was one of the most influential designers of wallpaper and fabrics during the latter half of the Victorian period. Morris was inspired and used Medieval and Gothic tapestries in his work. Embossed paper were used on ceilings and ...
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Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe , and much of Northern , Southern and Central Europe , never quite effacing more classical styles in Italy.
Ermanaric [a] (died 376) was a Greuthungian Gothic king who before the Hunnic invasion evidently ruled a sizable portion of Oium, the part of Scythia inhabited by the Goths at the time. He is mentioned in two Roman sources: the contemporary writings of Ammianus Marcellinus , and in Getica by the sixth-century historian Jordanes .
The Gothic incarnations of the cathedral were built under Mindaugas, Władysław II Jagiełło, and Vytautas. The present structure includes portions from the Gothic iterations: the foundations (Mindaugas), the crypt (Jagiełło), and some walls and pillars (Vytautas). Vilnius Upper Castle Old Town, Vilnius: Also known as Gediminas Castle. Ruins.
Pugin's biographer, Rosemary Hill, shows that Barry designed the Palace as a whole, and only he could co-ordinate such a large project and deal with its difficult paymasters, but he relied entirely on Pugin for its Gothic interiors, wallpapers and furnishings. [30] The first stone of the new Pugin-Barry design was laid on 27 April 1840. [29]: 147