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Christine Navarro Paul (December 28, 1874 – 1946), a member of the Native American Chitimacha Tribe of Louisiana, was a celebrated basket maker and teacher.. Beginning in her 20s, she led the efforts of the Chitimacha women to create and sell beautiful woven baskets made from dyed wild river cane.
Doering exhibited her baskets widely, including at such venues as the Southern Plains Indian Museum, Coulter Bay Indian Art Museum, Wheelwright Museum of the American Indian, Fred Jones Jr. Museum of Art, Oklahoma Historical Society, the Kennedy Center in Washington DC, and the Smithsonian Institution Folklife Festival. In 1982 and 1983, she ...
This piece is on display in the Native American art collection of the Casino Arizona. The curator there, Aleta Rinlero says of Antone's work: "She doesn't weave baskets, she weaves concepts." [4] Ancient Hohokam pottery designs also provide Antone with inspiration for basket designs, as have the flora and fauna of the Sonoran Desert. To achieve ...
Louisa Keyser, or Dat So La Lee (c. 1829 - December 6, 1925) was a celebrated Native American basket weaver. A member of the Washoe people in northwestern Nevada , her basketry came to national prominence during the Arts and Crafts movement and the "basket craze" of the early 20th century.
Mary Holiday Black (c. 1934 – December 13, 2022) was a Navajo basket maker and textile weaver from Halchita, Utah. [2] During the 1970s, in response to a long-term decline in Navajo basketry, Black played a key role in the revival of Navajo basket weaving by experimenting with new designs and techniques, pioneering a new style of Navajo baskets known as "story baskets."
A woven basket made by Lucy Telles (National Museum of the American Indian) Telles, who learned basket weaving as a child, was well known for her fine basketry during her lifetime. Her innovations in basket weaving had a lasting influence on Yosemite weavers. While traditional Miwok baskets had one color, she used two colors per basket.
She co-founded, and was the director of, the Maine Indian Basketmakers Alliance (MIBA) in Old Town, Maine. [ 2 ] When apprenticing with basketmaker Madeline Tomer Shay, Secord learned that at the time she was one of few young Wabanaki people being taught to make brown ash and sweet-grass baskets. [ 3 ]
[4] [5] She is included in the definitive guide to Native American jewelry makers by Gregory Schaaf of the Center for Indigenous Arts & Cultures. [6] Honwynum is expert at customary Hopi basket making, both the coiled basket (poota) and the sifter basket (tutsaya). Her grandmother Esther Honanie taught Honwynum to make her first coiled basket ...
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