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Voiced by: Ryōtarō Okiayu (Japanese); Ian Sinclair (English) (anime), Takashi Kondō (VOMIC) Toriko (トリコ) is a Gourmet Hunter and the title character of the series. He has blue hair and wears an orange vest and short pants. [1] He is one of the Four Heavenly Kings (also The Legendary Four), [2] and his nickname is "The Glutton." [3]
The following is a list of mecha anime, ... Year(s) Name Series Type Notes Ref. 1963–66: Astro Boy: Astro Boy: TV series: 1963–66: Gigantor: Tetsujin 28-go: TV ...
Roronoa Zoro (ロロノア・ゾロ, Roronoa Zoro, spelled as "Roronoa Zolo" in some English adaptations), also known as "Pirate Hunter" Zoro (海賊狩りのゾロ, Kaizoku-Gari no Zoro), is a fictional character created by Japanese manga artist Eiichiro Oda who appears in the manga series and media franchise One Piece.
Voiced by: Eri Kitamura (Japanese); Candalee Whitmore (Season 1), G.K. Bowes (Season 2) (English) Online Alias: Mai/San (参) The younger sister of Izaya and twin sister of Kururi, who she is allegedly in an incestuous relationship with. Mairu wears a yellow hooded sweater with dog ears and a short green miniskirt.
Revolutionary Girl Utena, a Japanese anime television series created by Be-Papas, features an extensive cast of characters. The series' protagonist is Utena Tenjou, a tomboy middle school student who is drawn into a series of sword duels to win the hand of Anthy Himemiya, a mysterious student known as the "Rose Bride".
Your Name characters (12 P) Yu-Gi-Oh! characters (1 C, 10 P) YuYu Hakusho characters (2 C, 2 P) Pages in category "Fictional Japanese people in anime and manga"
Sword Gai (Japanese: ソードガイ, Hepburn: Sōdo Gai) is a Japanese manga series written by Toshiki Inoue with original character design by Keita Amemiya and scenario by Wosamu Kine. The first twelve episodes ("Part I") of an anime adaptation titled Sword Gai: The Animation were released on Netflix worldwide on March 23, 2018. [ 2 ]
Japanese sociologist Shinji Miyadai, among others, reported instances of college students identifying with Shinji or Asuka; [483] according to essayist Satomi Ishikawa, such episodes are a reflection of "how influential the impact of this particular anime has been" for Japanese youth at the time.