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In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Melodic motion: ascending vs. descending X conjunct vs. disjunct. Melodic motion is the quality of movement of a melody, including nearness or farness of successive pitches or notes in a melody. This may be described as conjunct or disjunct, stepwise, skipwise or no movement, respectively. See also contrapuntal motion. In a conjunct melodic ...
In music, a step, or conjunct motion, [1] is the difference in pitch between two consecutive notes of a musical scale. In other words, it is the interval between two consecutive scale degrees . Any larger interval is called a skip (also called a leap ), or disjunct motion .
Evolution of the conjunct consonant "Sya" (Sa+Ya) in Brahmic scripts. Some major conjunct consonants in the Brahmi script. Conjunct consonants are a type of letters, used for example in Brahmi or Brahmi derived modern scripts such as Balinese, Bengali, Devanagari, Gujarati, Tibetan, Dzongkha etc to write consonant clusters such as /pr/ or /rv/.
Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return
The second type of conjunct formation is through pure ligatures, where the constituent consonants are written together in a single graphic form. This ligature may be recognizable as being a combination of two characters or it can have a conjunct ligature unrelated to its constituent characters. ଞ୍ (ñ) + ଜ (ja) gives the ligature ñja:
Taan (Hindi: तान, Urdu: تان) is a technique used in the vocal performance of a raga in Hindustani classical music.It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo.
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