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There were two Alacranes Musical touring due to arguments between the members of the group, Memo Ibarra and Omar Sanchez, and the musicians of the group, the Urbina Family. They parted ways and the record company that claims to own rights to the name of the group sided with the singers.
Ahora y Siempre (Eng.: Now and Forever ) is a studio album released by music group Alacranes Musical . This album became their first number-one set on the Billboard Top Latin Albums , and was released in a standard CD presentation and as a Deluxe Edition CD/DVD combo.
[10] [11] [12] The song was released for digital download and streaming by Sony Music Latin on April 13, 2021, [13] as the lead single from Vives' sixteenth studio album, Cumbiana II, marking the first collaboration between Vives and Martin. [4] "Canción Bonita" was included as the sixth track on the album, released May 13, 2022.
The Cancionero de Palacio (Madrid, Biblioteca Real, MS II–1335), or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of around 40 years, from the mid-1470s until the beginning of the 16th century, approximately coinciding ...
Mi Niña Bonita (English: My Pretty Girl) is the single by Chino & Nacho.It is off the album, with the same name, Mi Niña Bonita.This song has two music videos, an original Latin American version and a U.S. version.
Norteño or Norteña (Spanish pronunciation: [noɾˈteɲo], northern), also música norteña, is a subgenre of regional Mexican music. The music is most often based on duple and triple metre and its lyrics often deal with socially relevant topics, although there are also many norteño love songs.
"Las Mañanitas" Spanish pronunciation: [las maɲaˈnitas] is a traditional Mexican [1] birthday song written by Mexican composer Alfonso Esparza Oteo.It is popular in Mexico, usually sung early in the morning to awaken the birthday person, and especially as part of the custom of serenading women.
Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period. [4] [5] Gershwin had completed setting DuBose Heyward's poem to music by February 1934, and spent the next 20 months completing and orchestrating the score of the opera.