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And God Created Woman is a 1988 American comedy-drama film directed by Roger Vadim in his final theatrical release and starring Rebecca De Mornay, Vincent Spano and Frank Langella. It has the same title as the 1956 French film Et Dieu… créa la femme ( And God created woman ) starring Brigitte Bardot , also directed by Vadim, but has a ...
And God Created Woman may refer to: And God Created Woman (1956 film) , directed by Roger Vadim, starring Brigitte Bardot And God Created Woman (1988 film) , directed by Roger Vadim, starring Rebecca De Mornay
He directed a caper film in Canada, The Hot Touch (1981), starring Marie-France Pisier. Back in France he wrote and directed Surprise Party (1983). He directed episodes of Faerie Tale Theatre (1984) and Deadly Nightmares (1986). Vadim attempted to recapture his former success with a new version of And God Created Woman (1988), with Rebecca De ...
Don Juan, or If Don Juan Were a Woman (French: Don Juan ou Si Don Juan était une femme...) is a 1973 erotic drama film directed by Roger Vadim. The film stars Brigitte Bardot in her fifth film directed by Vadim. Bardot had achieved international stardom when Vadim directed her in the 1956 film And God Created Woman.
And God Created Woman (1988 film) ... Beaches (1988 film) Big (film) Biloxi Blues (film) The Blue Iguana; Bruce and Pepper Wayne Gacy's Home Movies; C. Cocktail (1988 ...
And God Created Woman (1988 film) Andy Colby's Incredible Adventure; B. Blood Street; The Boost; Business as Usual (film) Buy & Cell; C. Cherry 2000; Child's Play ...
Rebecca De Mornay (born August 29, 1959 [1] [2] [3] [a]) is an American actress.Her breakthrough film role came in 1983, when she starred in Risky Business.De Mornay is also known for her roles in The Slugger's Wife (1985), Runaway Train (1985), The Trip to Bountiful (1985), Backdraft (1991), and The Hand That Rocks the Cradle (1992).
Author Peter Lev describes the film's impact in America: And God Created Woman's impact on the film industry was significant. New Bardot films were eagerly snapped up by distributors, and old Bardot films were released or re-released. Prices for distribution rights to foreign films escalated overall. [16]