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"Dialogue" is a song written by Robert Lamm for the group Chicago and recorded for their album Chicago V (1972). On the album the song is over 7 minutes long and is divided in two parts. [ 1 ] An edited version was released as a single in October 1972, eventually reaching #24 on the U.S. Billboard Hot 100 . [ 2 ]
The Cure’s penchant for squalling psych-rock exorcisms reached a powerful zenith on this howl from the heart of 1992’s Wish. Almost eight minutes of typhoon rock bereft of flab or indulgence ...
"10:15 Saturday Night" is widely regarded as one of the Cure's best songs. In 2019, Billboard ranked the song number ten on their list of the 40 greatest Cure songs, [ 5 ] and in 2023, Mojo ranked the song number five on their list of the 30 greatest Cure songs.
"Charlotte Sometimes" is a song by English rock band the Cure, recorded at producer Mike Hedges' Playground Studios and released as a non-album single on 9 October 1981 by Polydor Records, following the band's third studio album Faith. The titles and lyrics to both sides were based on the book Charlotte Sometimes by Penelope Farmer.
"A Letter to Elise" was made public for the first time on MTV's Cure-"Unplugged" show in 1991 and had very different lyrics from the later version to be released as a 7". [citation needed] Letters to Felice by Kafka was a huge influence when Robert Smith wrote the lyrics of the track.
The band performed the song as "Killing an Ahab" with lyrics inspired by Herman Melville on 2011's Reflections Tour. [13] During the band's 40th anniversary tour, the lyrics and title were changed back to "Killing an Arab". [14] The band performed the song as "Killing Another" to close out the final show on their tour in December 2022. [15]
The Cure released Songs of a Lost World, their first album of new material since 2008, on Friday. "I didn't want the album to be too much," Smith said. "I didn't want the album to be too much ...
"High" is a song by English rock band the Cure, released as the lead single from their ninth album, Wish (1992), on 16 March 1992. The track received mostly positive reviews and was commercially successful, reaching number one on the US Billboard Modern Rock Tracks chart, number six on the Irish Singles Chart, and number eight on the UK Singles Chart.