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'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
In 1945–1949, the third stage of development of the Gzhel craft began. The use of cobalt paints on white clay was established. Master A. B. Saltykov created a special Atlas of brushstrokes to unify the style of products. The artist N. I. Bessarabova, who developed a new blue-and-white style of Gzhel products, was invited to the enterprise.
Delftware forms part of the worldwide family of blue and white pottery, using variations of the plant-based decoration first developed in 14th-century Chinese porcelain, and in great demand in Europe. Delftware includes pottery objects of all descriptions, such as plates, vases, figurines and other ornamental forms and tiles. The style ...
Decorative vases and figurines (or magots) for the chimneypiece [5] were produced, and useful wares included delicately modelled rococo tea-pots and cream jugs, coffee-sets or cabarets complete with their trays, covered tureens, bourdaloues, plates and cups, [6] down to porcelain flowers to incorporate in chandeliers and knife-handles.
The onion pattern was designed as a white ware decorated with cobalt blue underglaze pattern. Sometimes dishes have gold leaf accents on them. Some rare dishes have a green, red, pink, or black pattern instead of the cobalt blue. A very rare type is called red bud because there are red accents on the blue-and-white dishes. [1]
It takes elements from various Chinese designs, including a willow tree, a pair of doves, a pavilion and three figures on a bridge over a lake. Spode and Thomas Minton both manufactured printed blue-and-white pottery with this pattern. [58] Worcester Dessert Plate in the Japanese Arita style decorated by James Giles c. 1765–70
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