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Sinfonia (Underworld): reprise Orfeo Possente spirto e formidabil nume ("Mighty spirit and powerful divinity") With ritornelli Caronte Ben mi lusinga alquanto ("Much I am flattered") Orfeo Ahi, sventurato amante ("Ah, unhappy lover that I am") In two sections; the Underworld sinfonia plays at the end of each section
Sinfonia (IPA: [siɱfoˈniːa]; plural sinfonie) is the Italian word for symphony, from the Latin symphonia, in turn derived from Ancient Greek συμφωνία symphōnia (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (sound).
In Italian opera after about 1800, the "overture" became known as the sinfonia. [54] Fisher also notes the term Sinfonia avanti l'opera (literally, the "symphony before the opera") was "an early term for a sinfonia used to begin an opera, that is, as an overture as opposed to one serving to begin a later section of the work". [54]
A performance of Gustav Mahler's Eighth Symphony in the Kölner Philharmonie by the Sinfonieorchester Wuppertal [] conducted by Heinz Walter Florin []. A symphony is an extended musical composition in Western classical music, most often for orchestra.
Later, to avoid confusion with other types of sinfonia/symphony, the term Italian overture was used more frequently. The structure of the Italian overture/sinfonia was the base from which the classical multi-movement cycle - used in genres including the symphony , concerto , and sonata - developed around the middle of the 18th century.
Sinfonia funebre: Funeral Symphony: 1917-22: 6: C major: Dollar symphony: 1927-28: Popularly nicknamed for winning the 1928 International Columbia Graphophone Competition. 7: A minor: Sinfonia Romantica: Romantic Symphony: 1941-42: Based on themes from his 1932 opera "Fanal". 9: B flat minor: Sinfonia visionaria: Visionary Symphony: 1955-56 ...
Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
Sinfonia "al conventello" (1806) Cinque duets pour cor (1806) Sinfonia (1808, used in L'inganno felice) Sinfonia (1809, used in La cambiale di matrimonio et Adelaide di Borgogna) Sinfonia "obbligata a contrabasso" (1807–10) Variazioni di clarinetto (1809) Quartetto per flauto, clarinetto, fagotto e corno (1810?) Andante e tema con variazioni ...