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In the first years of the 19th century, many foreign artists visited and resided in Argentina, leaving their works. Among them were English mariner Emeric Essex Vidal (1791–1861), a watercolorist who left important graphic evidence of Argentine history; French engineer Carlos E. Pellegrini (1800–1875), who was devoted to painting out of necessity and who would be the father of president ...
Ana Sacerdote (1925–2019), painter, video and computer artist; Procesa del Carmen Sarmiento (1818–1899), painter; Elsa Serrano (1941–2020), Italian-born Argentine fashion designer; María Simón (1922–2009), sculptor; Meli Valdés Sozzani (born 1977), painter; Grete Stern (1904–1999), photographer
A temporary exhibits pavilion opened in 1961, and the museum acquired a large volume of modern art though its collaboration with the Torcuato di Tella Institute, a leading promoter of local, avant-garde artists, and elsewhere; a contemporary Argentine art pavilion opened in 1980. This 1,536 square metres (16,533 sq ft) hall is the largest of 34 ...
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Other notable works in the collection include Abaporu (1928) by Tarsila do Amaral, bought in 1995 for almost $1.5 million; Baile en Tehuantepec (1928) by Diego Rivera, for which Costantini paid $15.7 million at Phillips in 2016; [6] and La Grande Dame (The Cat Woman, 1951), a sculpture by Leonora Carrington purchased for $11.3 million in 2024.
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Eugenia Belín Sarmiento (December 29, 1860, San Juan, Argentina - August 2, 1952, Buenos Aires, Argentina) was an Argentinean painter and author.Her works were featured in various international shows, among them the first Exposición Anual de Pintura, Dibujo y Escultura (Annual Exhibition of Painting, Drawing, and Sculpture) for artists of South America in 1893. [1]
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