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"La campanella" is a revision of an earlier version from 1838, the Études d'exécution transcendente d'après Paganini, S. 140, and is widely considered one of the most technically challenging piano pieces ever written.
Piano Symphony No. 6 (Symphonia claviensis) Kaikhosru Shapurji Sorabji 4¾ hours 270 (manuscript) [6] [19] [20] A3 Premiered by Jonathan Powell. [19] Piano Symphony No. 4 Kaikhosru Shapurji Sorabji 4½ hours 240 (manuscript) A3 Premiered by Reinier van Houdt. [21] [22] [23] Opus clavicembalisticum: Kaikhosru Shapurji Sorabji 4 hours
Islamey: Oriental Fantasy (Russian: Исламей: Восточная фантазия), is a composition for piano by Russian composer Mily Balakirev written in 1869. Harold C. Schonberg noted that Islamey was "at one time…considered the most difficult of all piano pieces and is still one of the knucklebusters."
The Toccata in C major, Op. 7 by Robert Schumann, was completed in 1830 and revised in 1833.The piece is in sonata-allegro form. [1]The work was originally titled Etude fantastique en double-sons (Fantastic Study in Double Notes), and was infamously referred to by Schumann as the "hardest piece ever written"—to this day it remains as "one of the most ferociously difficult pieces in the piano ...
Opus clavicembalisticum is a work for solo piano, notable for its length and difficulty, composed by Kaikhosru Shapurji Sorabji and completed on 25 June 1930. [1]At the time of its completion, it was the longest piano piece in existence, taking around 4–4½ hours to play, depending on tempo.
Étude Op. 25, No. 11 in A minor, often referred to as Winter Wind in English, is a solo piano technical study composed by Frédéric Chopin in 1836. It was first published together with all études of Opus 25 in 1837, in France, Germany, and England.
Being his last published ballade, the piece is commonly considered one of the masterpieces of 19th-century piano music. [2] [3] Of the four ballades, it is considered by many pianists to be the most difficult, both technically and musically. [4] [5] It is also the longest, taking around ten to twelve minutes to perform.
It was the final piece for Horowitz's graduation concert at the Kiev's conservatory; at the end all the professors stood up to express their approval. Horowitz, after claiming to Backhaus that the most difficult piano piece he ever played was Liszt's Feux-follets without hesitation, he added that Réminiscences de Don Juan is not an easy piece ...