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Like many contemporary gospel songs, "Shackles" was not without its criticism; many cited the song as being too modern and not staying true to its gospel roots. Mary Mary responded by saying, "It's definitely contemporary. It's music that everybody in any style of music can relate to. It's universal, but the lyrics are undeniably Gospel." [2]
The hymn discusses the experience of Christian believers that Jesus Christ lives within their hearts, which is scriptural in the Word of God: “I am crucified with Christ; and it is no longer I who live, but it is Christ who lives in me.”—Galatians 2:20, and “That Christ may make His home in your hearts through faith.”—Ephesians 3:17 ...
The Righteous Brothers released a version of the song in 1966, which spent eight weeks on the Billboard Hot 100 chart, peaking at No. 18. [6] Diana Ross & The Supremes covered the song for In Loving Memory, a 1968 gospel compilation featuring Motown Records artists. Elvis Presley recorded the song in 1960 at his home in Bel Air.
The Gospel Soundtrack: a featured song on the soundtrack for the motion picture The Gospel: 2004 Celebrate (He Lives) 2004 Grammy Awards nominee for Best Gospel Performance with Noel Hall and Darryl Dixon 2005 Celebrate (He Lives) 2005 Stellar Awards nominee for Song of the Year with Noel Hall and Darryl Dixon 2007 Better Than That, with The ...
Mary Mary is an American urban contemporary gospel duo composed of sisters Erica Atkins-Campbell (born April 29, 1972) and Trecina Atkins-Campbell (born May 1, 1974). [1] Formed in 1998, Mary Mary was launched into mainstream recognition following the release of their best-selling debut album, Thankful (2000), which contained the hit single ...
Robert Lowry (March 12, 1826 – 25 November 1899) was an American preacher who became a popular writer of gospel music in the mid-to-late 19th century. His best-known hymns include "Shall We Gather at the River", "Christ Arose!", "How Can I Keep from Singing?" and "Nothing But The Blood Of Jesus".
Crosby was known as the "Queen of Gospel Song Writers" [3] and as the "Mother of modern congregational singing in America", [4] with most American hymnals containing her work. [5] Her gospel songs were "paradigmatic of all revival music", [6] and Ira Sankey attributed the success of the Moody and Sankey evangelical campaigns largely to Crosby's ...
The song's lyrics, inspired by this motif, described the Dominican mission of spreading the gospel. [5] The album drew positive reviews from Matthew Becklo of the Catholic media organization Word on Fire, C. C. Pecknold of the Christian magazine First Things, and Rod Dreher of The American Conservative.
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