Search results
Results from the WOW.Com Content Network
The literary critic and sinologist Andrew H. Plaks writes that the term "classic novels" in reference to these six titles is a "neologism of twentieth-century scholarship" that seems to have come into common use under the influence of C. T. Hsia's The Classic Chinese Novel (1968).
English: This is a PDF file of the Mandarin Chinese Wikibook, edited to include only the Introduction, Pronunciation and complete or somewhat complete lessons (Lessons 1-6). Does not include the Appendices, Stroke Order pages, or the Traditional character pages.
Brothers (Chinese: 兄弟; pinyin: Xiōngdì) is the longest novel written by the Chinese novelist Yu Hua, in total of 76 chapters, separately published in 2005 for the part 1 (of the first 26 chapters) and in 2006 for part 2 (of the rest 50 chapters) by Shanghai Literature and Art Publishing House. [1]
China in Ten Words (simplified Chinese: 十个词汇里的中国; traditional Chinese: 十個詞彙裡的中國; pinyin: shí gè cíhuì lǐ de zhōngguó) is an essay collection by the contemporary Chinese author Yu Hua, who is known for his novels To Live, Chronicle of a Blood Merchant, and Brothers.
The Secret of the Golden Flower (Chinese: 太乙金華宗旨; pinyin: Tàiyǐ Jīnhuá Zōngzhǐ) is a Chinese Taoist book on neidan (inner alchemy) meditation, which also mixes Buddhist teachings with some Confucian thoughts. [1] It was written by means of the spirit-writing (fuji) technique, through two groups, in 1688 and 1692. [2]
Fung, Margaret C. (1984), "Safekeeping of the National Peiping Library's Rare Chinese Books at the Library of Congress 1941-1965", The Journal of Library History, 19 (3), (subscription required): 359– 72, JSTOR 25541531. Lee, Hwa-Wei (30 June 1996). "American Contributions to Modern Library Development in China: A Historic Review". Paper ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
This medicine sparked Gest's interest in traditional Chinese medicine and in collecting books on the subject. [8] Because Gest's funds were limited, Gillis bought selectively, concentrating on works printed in the Ming and Qing dynasties, which were of less interest to wealthy Chinese and Japanese collectors than works printed in the Song dynasty.