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San Juan Nepomuceno Santo statuette by Felipe de la Espada, born in San Germán, Puerto Rico ca. 1754. When the Spanish first arrived in Puerto Rico, one of their primary tools in converting the indigenous Taíno population were statuettes, known as Santos, depicting the Virgin Mary, Jesus Christ, and other Catholic icons (the practice of religious sculpture already existed on the island ...
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José Campeche y Jordán (December 23, 1751 – November 7, 1809), is the first known Puerto Rican visual artist and considered by art critics as one of the best rococo artists in the Americas. Campeche y Jordán loved to use colors that referenced the landscape of Puerto Rico, as well as the social and political crème de la crème of colonial ...
Ángel Botello died in San Juan, Puerto Rico on November 11, 1986 leaving behind an impressive legacy of oil paintings, lithographs, linocuts, serigraphs and bronze sculptures. His former house located at Old San Juan, Puerto Rico now is an art gallery where his paintings, sculptures and artwork of other outstanding Puerto Rican and ...
The artists believed that there needed to be a new, distinctly Puerto Rican art. With these ideas in mind, they formed the Center of Puerto Rican Art. [2] The CAP served as a gallery, classroom, workshop, publishing press, and collaborative meeting space for many important Puerto Rican artists during the 1950s.
Museo de Arte de Ponce is the finest art museum in Puerto Rico. [11] The largest art museum in the Caribbean, [12] it has also been called one of the best in the Americas. [13] [14] [15] It was the first museum in Puerto Rico accredited by the American Alliance of Museums. [9] [16]
El Velorio (Spanish for "The Wake") is an 1893 8-by-13-foot painting by Puerto Rican Impressionist painter Francisco Oller depicting a baquiné, a type of traditional wake. This painting is considered one of the most important pieces in the art history of Puerto Rico and is therefore considered a national treasure.
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