Search results
Results from the WOW.Com Content Network
Operas with entries in The Metropolitan Opera Guide to Recorded Opera ed. Paul Gruber (Thames and Hudson, 1993). ISBN 0-393-03444-5 and/or Metropolitan Opera Stories of the Great Operas ed. John W Freeman (Norton, 1984). ISBN 0-393-01888-1; List of operas and their composers in Who's Who in British Opera ed. Nicky Adam (Scolar Press, 1993).
Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of opéra comique with musical numbers
Opera Composer Librettist Film Film director Aleko: Sergei Rachmaninoff: Vladimir Nemirovich-Danchenko: Aleko, 1953 Sergei Sidelyov Aida: Giuseppe Verdi: Antonio Ghislanzoni: Aida, 1953 Clemente Fracassi: Aida, 1987 Claes Fellbom: Aida of the Trees, 2001 Guido Manuli: Un ballo in maschera: Giuseppe Verdi: Antonio Somma: Masked Ball, 1917 ...
The following year, G. Ricordi, the publisher of Puccini's operas, sued all parties associated with the song, arguing that the melody was lifted from "E lucevan le stelle". Puccini and his publisher prevailed in the case and were awarded $25,000 in damages and all future royalties for the song. [3]
Aria (canzonetta) for voice and piano, transcription of an insertion aria sung by Luigi Marchesi with several texts in several operas. The version with the text "Ridente la calma" was inserted in Francesco Bianchi's Il trionfo della pace (1782). [1] The original author of the music may be Josef Mysliveček.
Pages in category "Opera films" The following 49 pages are in this category, out of 49 total. This list may not reflect recent changes. A. Aida (1953 film)
A concert aria is normally an aria or operatic scene (scena) composed for singer and orchestra, written specifically for performance in concert rather than as part of an opera. Concert arias have often been composed for particular singers, the composer always bearing that singer's voice and skill in mind when composing the work.
music lost, except some arias Diomede punito da Alcide: dramma: 3 acts: Aurelio Aureli: 1700, autumn: Venice, Teatro Sant'Angelo: music lost L’inganno innocente: dramma per musica: 3 acts: Francesco Silvani: 1701, carnival: Venice, Teatro Sant'Angelo: music lost, except some arias L’arte in gara con l’arte: dramma per musica: 3 acts ...