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The Metropolitan Museum of Art, colloquially referred to as the Met, [a] is an encyclopedic art museum in New York City. By floor area, it is the fourth-largest museum in the world and the largest art museum in the Americas .
The List of artists in the Metropolitan Museum of Art Guide is a list of the artists indexed in the Metropolitan Museum of Art museum guide. The guide, with a foreword by the museum director Philippe de Montebello, was first produced in 1983 and the edition from 1994 has been digitized.
The Dance Class (Degas, Metropolitan Museum of Art) The Dancing Class; Davis Madonna; The Dead Christ with Angels; The Death of Harmonia; The Death of Socrates; The Defense of Champigny; Delirious Hem; The Deluge towards Its Close; The Denial of Saint Peter (Caravaggio) Diana and Cupid; The Doge's Palace Seen from San Giorgio Maggiore (Claude ...
Metropolitan Museum of Art, New York City The Water Lilies is a 1919 painting by impressionist Claude Monet , one of his Water Lilies series. The painting, the left hand panel of a large pair, depicts a scene in Monet's French pond showing light reflecting off the water with water lilies on the surface.
Metropolitan Museum of Art, New York Joan of Arc ( French : Jeanne d'Arc ) is an oil on canvas painting by Jules Bastien-Lepage , from 1879. It was exhibited at the Exposition Universelle in Paris in 1889.
Metropolitan Museum of Art, New York: Woman Holding a Balance, also known as Woman with a Balance [8] 1662–63 or c. 1663–64 [8] Oil on canvas, 42.5 × 38 cm National Gallery of Art, Washington: A Lady Writing a Letter: 1665–66: Oil on canvas, 45 × 40 cm National Gallery of Art, Washington: Girl with a Pearl Earring,
Woman with a Water Jug (Dutch: Vrouw met waterkan), also known as Young Woman with a Water Pitcher, is a painting finished between 1660–1662 by the Dutch painter Johannes Vermeer in the Baroque style. It is oil on canvas, 45.7cm × 40.6 cm, and is on display at the Metropolitan Museum of Art, New York.
In 1916, Sargent sold the painting to the Metropolitan Museum of Art, writing to its director "I suppose it is the best thing I have ever done." [17] [16] The art world's changing response to the portrait was noted by the New York Herald in its May 12, 1916, headline: "Sargent Masterpiece Rejected by Subject Now Acquired by Museum."
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