Search results
Results from the WOW.Com Content Network
Sanssouci (meaning Free of Care), was Frederick's summer palace at Potsdam, near Berlin. The painting depicts, in a pre-impressionistic, painterly 19th-century style, an 18th-century musical soirée at the palace at which a piece of music is being played with King Frederick himself playing the flute center stage.
Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
The flute (Venu or Vamsa) is mentioned in many Hindu texts on music and singing, as complementary to the human voice and Veena (vaani-veena-venu). [ 23 ] [ 24 ] The flute is however not called bansuri in the ancient, and is referred to by other names such as nadi , tunava in the Rigveda (3000–2500 BCE) and other Vedic texts of Hinduism , or ...
The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre.Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France.
His new flute was first displayed in 1851 at the London Exhibition. [3] In 1871 Boehm published Die Flöte und das Flötenspiel ("The Flute and Flute-Playing"), a treatise on the acoustical, technical and artistic characteristics of the Boehm system flute. [1] Boehm's experience as a goldsmith was a key factor in his ability to redesign the flute.
The large columns at Persepolis have as many as 40 or 48 flutes, with smaller columns elsewhere 32; the width of a flute is kept fairly constant, so the number of flutes increases with the girth of the column, in contrast to the Greek practice of keeping the number of flutes on a column constant and varying the width of the flute. [15]
It is a fact, though hardly credible, that down to 1895 Bach sonatas were not taught in the flute class (under Altes) at the conservatoire. [1] His work sparked and helped fuel a growing interest in France in early music, with editions such as Saint-Saëns' of music by Jean-Philippe Rameau. In 1897, Taffanel also became head of the orchestra ...
Music and sculpture as artistic expression have developed simultaneously among the first humans in Europe, as the region is considered a key area in which various cultural innovations have developed. In addition to recreational and religious purposes, such ritual music might have helped to maintain larger social networks.