Search results
Results from the WOW.Com Content Network
During the disco era, many nightclubs would commonly host disco dance competitions or offer free dance lessons. Some cities had disco dance instructors or dance schools, which taught people how to do popular disco dances such as "touch dancing", "the hustle", and "the cha cha". The pioneer of disco dance instruction was Karen Lustgarten in San ...
Each one-hour show featured top hustle dancers and two 10-minute instructional segments that allowed viewers to learn how to hustle dance in the privacy of their own living rooms. One of the first shows featured a young Billy Fajardo and the Disco Dance Dimensions. Many of the show's video clips can be found on YouTube. Marty Angelo also ...
Disco Step-by-Step was a local television show in Buffalo, New York which featured disco music, dance instruction, and hustle dancing. The show was created, written, produced and first hosted by Marty Angelo .
4 Disco / Soul dance. 5 Free and improvised dance. 6 Historical dance. ... This is a list of dance categories, different types, styles, or genres of dance.
Discofox or disco fox is a social partner dance which evolved in Europe in the mid-1970s as a rediscovery of the dance hold in the improvisational disco dance scene dominated by solo dancing, approximately at the same time when the hustle emerged in the United States. Both dances were greatly influenced by Saturday Night Fever starring John ...
Raised in Titusville, Florida, [2] Terrio achieved fame as the dance coach and choreographer for John Travolta in the movie Saturday Night Fever (1977). During his heyday with Dance Fever, he appeared in a number of films, including The Idolmaker (1980), Star Trek II: The Wrath of Khan (1982), A Night in Heaven (1983) and Knights of the City (1986), and guest starred on popular television ...
Waacking (also whacking) is a street dance style with origins stemming from punking, a dance created in the gay clubs of Los Angeles [1] [2] during the 1970s disco era. [3] The style is typically done to 1970s disco and 1980s post-disco music [4] and is mainly distinguishable by its rotational arm movements, posing and emphasis on expressiveness.
Even more than disco, house music endorsed an “abandonment of subjectivity and self-will”, promoting the “ecstasy of being enthralled by the beat”. [2] He sees jacking as a reflection of this abandonment of subjectivity: “In disco, dance had gradually shed its role as courtship ritual and opened up into unpaired freestyle self-expression.