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The empty slope below the riders is unusual. The viewer can grasp the size of the horses as they stampede across the canvas, with the jockey lying below. [5]: 173 The shadows of horses are impressive, and mirror their movement across the canvas. Degas' horse movement sketch for Scene from The Steeplechase: The Fallen Jockey
John Balossi (May 28, 1931 – April 8, 2007) was a painter and sculptor. Born in New York City, he received his BFA and master's degree at Columbia University in N.Y.C. He was an associate Professor of Fine Arts at the University of Puerto Rico in Río Piedras.
The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. The artist added some finishing touches in 1855. The large work measures 96.25 in × 199.5 in (244.5 cm × 506.7 cm). [1]
Lascaux, Horse, c. Stone Age cave painting George Stubbs, Whistlejacket, c. 1762, National Gallery, London. Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of ...
The Tower of Blue Horses was a large work, 200 by 130 centimetres (6 ft 7 in × 4 ft 3 in). [1] Most of the picture is occupied by a frontal view of four primarily blue horses, arranged in a tier to the right of centre, facing the viewer but with their heads turned to the left; the foremost horse seemed "only a little less than life size" to at least one writer. [2]
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Stubbs's Molly Long-legs with her Jockey (1761–62), a more typical racehorse portrait (101 × 127 cm). Stubbs's knowledge of equine physiology was unsurpassed by any painter; he had studied anatomy at York and, from 1756, he spent 18 months in Lincolnshire where he carried out dissections and experiments on dead horses to better understand the animal's physiology.