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The koto (箏 or 琴) is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se , and similar to the Mongolian yatga , the Korean gayageum and ajaeng , the Vietnamese đàn tranh , the Sundanese kacapi and the Kazakh jetigen . [ 1 ]
He changed the limited selection of six pieces to a brand new style of koto music which he called kumi uta. Yatsuhashi changed the Tsukushi goto tunings, which were based on tunings used in gagaku, and with this change a new style of koto was born. He adapted the Hirajoshi scale and the Insen scale for the koto, from the shamisen repertoire.
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A man playing the đàn tranh beside the singer. The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈 箏) or đàn thập lục [1] is a plucked zither of Vietnam, based on the Chinese guzheng, from which are also derived the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen.
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The 80-string koto, known as the hachijugen (八十絃/はちじゅうげん) in Japanese, was an invention of Japanese composer Michio Miyagi created in 1923. Miyagi added 67 strings to the traditional 13-string koto design, creating an instrument much like a western harp. Together, the 80 strings provide a far larger pitch range than the ...
The 17-string koto (Japanese: 十七絃 or 十七弦, Hepburn: jūshichi-gen, "seventeen strings") is a variant of the koto with 17 strings instead of the typical 13. The instrument is also known as jūshichi-gensō ( 十七絃箏 ) , "17 stringed koto ", or "bass koto " (although koto with a greater number of strings also exist).
Michio Miyagi (宮城 道雄, Miyagi Michio, April 7, 1894 – June 25, 1956) was a Japanese musician, famous for his koto playing.. He was born in Kobe.He lost his sight in 1902, when he was 8 years old, and started his study in koto under the guidance of Nakajima Kengyo II, dedicating the rest of his life to the instrument.