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Dualphotography is the photography technique of simultaneously taking two photographs of one scene, thus capturing a scene from both sides of the photographic device at once. In other words, it is the practice of creating a photographic scene from two opposing or complementary sides of a single real-world situation.
A tight shutter angle will constrict motion blur. A wide shutter angle will allow it. A 180° shutter angle is considered normal. So for instance, at 24 fps the frame interval value is 0.04167 second ( = 1 ⁄ 24). Using an exposure time of 1 ⁄ 50 second gives a shutter angle value of 173°, very close to 180° (normal motion blur effect).
Focal-plane shutters may also produce image distortion of very fast-moving objects or when panned rapidly, as described in the Rolling shutter article. A large relative difference between a slow wipe speed and a narrow curtain slit results in distortion because one side of the frame is exposed at a noticeably later instant than the other and the object's interim movement is imaged.
Simple leaf shutters have a single leaf, or two leaves, which pivot so as to allow light through to the lens when triggered. If two leaves are used they have curved edges to create a roughly circular aperture. They typically have only one shutter speed and are commonly found in basic cameras, including disposable cameras. Some have more than ...
A twin-lens reflex camera (TLR) is a type of camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or "taking lens" (the lens that takes the picture), while the other is used for the viewfinder system, [1] which is usually viewed from above at waist level.
The camera angle marks the specific location at which the movie camera or video camera is placed to take a shot. A scene may be shot from several camera angles simultaneously. [1] This will give a different experience and sometimes emotion. The different camera angles will have different effects on the viewer and how they perceive the scene ...
Changes to any of these elements are often measured in units known as "stops"; a stop is equal to a factor of two. Halving the amount light exposing the film can be achieved either by: Closing the aperture by one stop; Decreasing the shutter time (increasing the shutter speed) by one stop; Cutting the scene lighting by half
The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round.