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As Heart themselves noted on the album's release, side one was the Dog side, and was the more "rocking" compared to the Butterfly side two, which consisted mostly of ballads, with the exception of the closer "Mistral Wind". Though the first song, "Cook with Fire", sounds like a live recording, the liner notes to the 2004 CD reissue state that ...
Franz Schubert's Trout Quintet and Antonín Dvořák's Piano Quintet No. 2 are both in A major. Johannes Brahms, César Franck, and Gabriel Fauré wrote violin sonatas in A major. In connection to Beethoven's Kreutzer Sonata, Peter Cropper said that A major "is the fullest sounding key for the violin." [2]
6 Partitas for solo violin; Suite in A major, for solo violin (1683) Henryk Wieniawski "L’École Moderne", (9) Études-Caprices for Violin Solo, Op.10 (1854) No.1 Le Sautillé (Presto) No.2 La Vélocité (Allegro vivace) No.3 L'Étude (Moderato) No.4 Le Staccato (Allegro gioioso) No.5 Alla Saltarella (Scherzando) No.6 Prélude (Allegro moderato)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music. Tonality (from "Tonic") or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale. [1]
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The pattern of whole and half steps characteristic of a major scale. The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. [1] A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is:
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
Violin Concerto in D major. Fwv L:D 7; Violin Concerto in D major, Fwv L:D 8; Violin Concerto in F major, Fwv L:F 2; Concerto for violin, 2 flutes, 2 oboes, bassoon, strings, continuo in G major, Fwv L:G 4; Violin Concerto in G major, Fwv L:G 5; Violin Concerto in G major, Fwv L:G 6; Violin Concerto in G major, Fwv L:G 7; Gabriel Fauré