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Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
1. Wrap-Around Design. This delicate and edgy serpent tattoo is the ultimate design for a sleeve that is both cohesive yet intricate. Representing transformation, rebirth and power, the snake is a ...
Geisha entertain their guests with a combination of both their hostessing and conversational skills, and their skills in traditional Japanese art forms of dance, music and singing. Before deciding to begin a career as a geisha, new recruits are generally expected to have an interest in the arts, as well as some experience.
A sleeve tattoo or tattoo sleeve is a large tattoo or collection of smaller tattoos that covers most or all of a person's arm. There is a difference between an arm covered in tattoos and a sleeve tattoo: a sleeve tattoo has a unified theme, whereas an arm covered in tattoos may have many tattoos of different styles that does not have an overall ...
A body suit or full body suit is an extensive tattoo, usually of a similar pattern, style or theme that covers the entire torso or the entire body. [1] They are associated with traditional Japanese tattooing as well as with some freak show and circus performers. [2]
Horiyoshi III (Japanese: 三代目彫よし, Hepburn: Sandaime Horiyoshi, born 1946 as Yoshihito Nakano (中野 義仁)) is a horishi (tattoo artist), specializing in Japanese traditional full-body tattoos, or "suits," called Irezumi or Horimono.
Three Beauties of the Present Day (当時三美人, Tōji San Bijin) is a nishiki-e colour woodblock print from c. 1792–93 by Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753 –1806). The triangular composition depicts the profiles of three celebrity beauties of the time: geisha Tomimoto Toyohina, and teahouse waitresses Naniwaya Kita and ...
By the early 21st century, tattoos were stigmatized in Japanese culture, and many Japanese associated them with the Yakuza. [4] However, there was a movement to revive the practice as a symbol of female empowerment and of their Ryukyuan cultural heritage. [ 4 ]
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