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The gospels describe how, after his initial capture, Jesus was brought before Caiaphas – a high priest in the Jewish Sanhedrin. [4] Honthorst depicts the moment that Caiaphas asks Jesus if he truly claims to be God. The scene takes place at night. Jesus and Caiaphas are separated by a table upon which a candle provides the only light.
The Fulham gladius or Mainz-Fulham gladius was a Roman sword that was used after Aulus Plautius' invasion of Britain in 43 AD. [24] The Romans used it until the end of the 1st century. The Fulham gladius has a triangular tip. The length of the blade is 50–55 cm (20–22 in). The length of the sword is 65–70 cm (26–28 in).
The ladder used for the Deposition, i.e. the removal of Christ's body from the cross for burial; The ropes used for the Raising of the Cross; The hammer used to drive the nails into Jesus' hands and feet; The pincers used to remove the nails; The vessel of myrrh, used to anoint the body of Jesus, either by Joseph of Arimathea or by the Myrrhbearers
The palette used by Holbein in the Grey Passion is unparalleled throughout European altar painting - the monochrome grey perhaps symbolises a theme detached from this world. Hans Holbein the Elder followed the example of Jan van Eyck and Hans Memling and their circle, who had experimented with painting in grisaille.
1. Jesus rides into the city on a donkey on Palm Sunday: top left, outside the city gatehouse 2. Jesus driving the money-changers out of the Temple: to the right of the entry of Jesus, under a double arch 3. Judas betrays Jesus to the High Priests: down and to the left from the temple scene, in a narrow candle-lit archway 4. The Last Supper
Jesus and the woman taken in adultery is a biblical episode from John 8:1–8:20 where Jesus encounters an adulteress brought before Pharisees and scribes, which has been depicted by many artists. Such a crime was punishable by death by stoning ; however, in the scene, Jesus stoops to write (in Dutch) he that is without sin among you, let him ...
Christ Driving the Money Changers from the Temple is a painting by El Greco, from 1568, now in the National Gallery of Art in Washington, D.C., in the United States. [1] It depicts the Cleansing of the Temple, an event in the Life of Christ.
[1] [a] Two of the more puzzling details of the painting are, one, the fact that the heads of Jesus and St. John seem to visually meld together in the upper left corner, and, two, the fact of the prominent presence, in the very centre of the canvas and in the foremost plane of the picture, of the arresting officer's highly polished, metal-clad arm.