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The image took on significance in Mixtec lore which tells of various indigenous deities in conflict and the role of the Cristo Negro as an intermediary. [21] The Cristo de las Ampollas is a Cristo Negro image in Mérida, Yucatán, which since colonial times has been important to the population, especially the Mayan ethnicities.
[1] By the 17th century, a devotion associated with an image became known as the "Miraculous Lord of Esquipulas" or the "Miraculous Crucifix venerated in the town called Esquipulas". Esquipulas holds its patronal festival on January 15, when the largest number of pilgrims come from Guatemala and neighboring Central American countries. [ 2 ]
Megged, Nahun (1976). "Artificio y naturaleza en las obras de Miguel Angel Asturias". Hispania. 59 (2): 319– 328. doi:10.2307/339512. JSTOR 339512. Pilón de Pachecho, Marta (1968). Miguel Angel Asturias: Semblanza para el estudio de su vida y obra. Guatemala: Cultural Centroamericana. OCLC 2779332. Prieto, Rene (1993).
Luz Argentina Chiriboga Guerrero was born on 1 April 1940 in Esmeraldas, Ecuador to the banana farmer Segundo Chiriboga Ramírez and Luz Maria Guerrero Morales. She attended the public school Hispanoamericana until the fourth grade and then transferred to the Colegio Nacional Cinco de Agosto in Esmeraldas, where she studied until 1955. [1]
Shortly after Valverde's mass, the priest Eleuterio de María Santísima Ferrer promoted the placement of a commemorative plaque. The idea was consolidated to also add an image of the Sacred Heart . The project was accepted by the bishop, who attended the place on March 12, 1920, to lay the first stone and on April 11 to celebrate the first ...
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
Wax sculpture of a Roman centurion at the entrance of the museum. Opened on 13 April 2007, the Life of Christ Museum is a museum complex where the life of Jesus is portrayed, from the Annunciation of the Angel to Mary to the Ascension of Jesus to Heaven, in a total of 33 scenes, through life-size wax figures dressed in clothes made with fabrics manufactured in the Sertã area on manual looms ...
En la pintura de Antonello, de gran virtuosismo técnico, convive una caligrafía minuciosa de origen nórdico, perceptible en el paisaje o el cabello de Cristo, con un tratamiento monumental de la anatomía y una preocupación por el volumen y la perspectiva claramente meridionales.