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Bencomo, Anadeli. "Leyendas de Guatemala: una aproximación a la heterogenidad cultural en Miguel Ángel Asturias". Brotherson, Gordon. "La herencia maya y mesoamericana en Leyendas de Guatemala". Leal, Anabella Acevedo. "De las Leyendas de Guatemala a El espejo de Lida Sal: el recorrido de una experiencia estética". Lienhard, Martin.
Miguel Angel Asturias en la Literatura. Guatemala: Istmo. OCLC 2546463. Solares-Lavarre, Francisco (2000). "El discurso del mito: respuesta a la modernidad en Leyendas de Guatemala". In Mario Roberto Morales (ed.). Cuentos y leyendas. Madrid – París: ALLCA (Colección Archivos). pp. 675–705. Valéry, Paul (1957). "Carta de Paul Valéry a ...
Siete gritos en el mar, Buenos Aires, 1952. La tercera palabra, Buenos Aires, 1953. Corona de amor y muerte, Buenos Aires, 1955. La casa de los siete balcones, Buenos Aires, 1957. Carta de una desconocida, Porto Alegre, 1957. Tres diamantes y una mujer, Buenos Aires, 1961. Carta de amor de una monja portuguesa, Buenos Aires, 1962.
Tilsa Tsuchiya Castillo (September 24, 1928 – September 23, 1984) was a Peruvian printmaker and painter known for her paintings of Peruvian myths and legends. [1] She is considered one of the greatest exemplars of Peruvian painting, having won the prestigious Bienal of Teknoquimica Prize for painting.
In an interview with Proceso, director Alberto Rodríguez said that the company Ánima Estudios has been working on the Leyendas films for 10–15 years, leading up to Charo Negro, with the same team of "different abilities". [11] "[W]e have been working for ten years in these films, [and] we already understand each other very well.
The Tragicomedy of Calisto and Melibea (Spanish: Tragicomedia de Calisto y Melibea), known in Spain as La Celestina, is a work entirely in dialogue published in 1499.. Sometimes called in English The Spanish Bawd, it is attributed to Fernando de Rojas, a descendant of converted Jews, who practiced law and, later in life, served as an alderman of Talavera de la Reina, an important commercial ...
Pedro Linares began his career as a maker of the effigies known as Judas figures, traditionally made of carton during the Catholic Easter season in Mexico, and by making figurines for Diego Rivera, Frida Kahlo and other artists from the Academia de San Carlos School of Fine Arts in Mexico City.
El Museo de Tradiciones y Leyendas (English: the Museum of Traditions and Legends) is located in León, Nicaragua.The museum building was once the infamous XXI prison where, from 1921 to 1979, many prisoners were tortured.