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Country: Indonesia: Reference: 00393: Region: Asia and the Pacific: Inscription history; Inscription: 2010 (5th session) List: Representative: Traditional Angklung (Pentatonic – Slendro Scale: Angklung Kanekes, Angklung Dogdog Lojor, Angklung Gabrag, Angklung Badeng, Angklung Bungko, Angklung Badud, Angklung Buncis, and angklung Calung) and Modern Angklung (Diatonic/Chromatic – Slendro ...
This is a list of music genres and styles. Music can be described in terms of many genres and styles. Classifications are often arbitrary, and may be disputed and closely related forms often overlap. Larger genres and styles comprise more specific sub-categories.
Music of Minang is a traditional and contemporary ethnic variety of Indonesian music that grows and develops in the Minangkabau culture. [1] [2] [3] Music is generally played by musical instruments such as talempong, saluang, Minang rabab, serunai, rebana, aguang (), gandang, gambus, and violin.
Slamet A. Sjukur (30 June 1935 – 24 March 2015) [1] was the founding father of contemporary Indonesian music.He studied and worked in Paris under Olivier Messiaen and Henri Dutilleux.
Indonesia is a country with many different tribes and ethnic groups, and its music is also very diverse, coming in hundreds of different forms and styles.Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another.
Javanese Genre Gamelan and other Javanese music also influenced kroncong. The characteristics of Javanese music include: melodies using the Pelog and Slendro (pentatonic) modes; the use of a siter (a plucked stringed instrument), a kendang (a Javanese drum), a kempul (a gong used in gamelan), metal and wood marimbas , gongs, and a unique style ...
As scholars note, dangdut is the most controversial genre regarding its relation to Indonesian Islamic morality, [13] and few popular music genres around the world are more focused on women's bodies than dangdut, [14] whose lyrics often portray women as sexual objects. [15] On the one side, within dangdut, a religious current (spiritual dangdut ...
The three major indigenous genres of gong-chime music prevalent in Southeast Asia includes the gamelan of western Indonesia; the kulintang of the southern Philippines, eastern Indonesia, and eastern Malaysia; and the piphat of Thailand, Cambodia, Laos, and the hsaing waing of Burma. The Cambodian equivalent of the piphat is called pinpeat.