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  2. Hello (Adele song) - Wikipedia

    en.wikipedia.org/wiki/Hello_(Adele_song)

    "Hello" is a song recorded by English singer-songwriter Adele, released on 23 October 2015 by XL Recordings as the lead single from her third studio album, 25 (2015). Written by Adele and the album's producer, Greg Kurstin, "Hello" is a piano ballad with soul influences (including guitar) and lyrics that discuss themes of nostalgia and regret ...

  3. 25 (Adele album) - Wikipedia

    en.wikipedia.org/wiki/25_(Adele_album)

    Adele continued to suffer with writer's block, until she met with producer Greg Kurstin. During the meeting with Kurstin, Adele had a breakthrough: "It all poured right out of me." [27] "Hello" was written by Adele and Kurstin and produced by the latter, who also played bass, guitar, piano and keyboards, with Adele being credited as a drummer. [28]

  4. Adele - Wikipedia

    en.wikipedia.org/wiki/Adele

    Adele Laurie Blue Adkins (/ ə ˈ d ɛ l /; [5] born 5 May 1988), known mononymously as Adele, is an English singer-songwriter. Regarded as a British icon , she is known for her mezzo-soprano vocals and sentimental songwriting.

  5. Adorable toddler has the best reaction to Adele's 'Hello' - AOL

    www.aol.com/article/2015/11/05/adorable-toddler...

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  6. A judge in Brazil has ordered Adele’s song Million Years Ago to be removed globally from streaming services due to a plagiarism claim by Brazilian composer, Toninho Geraes. Geraes alleges that ...

  7. Easy on Me - Wikipedia

    en.wikipedia.org/wiki/Easy_on_Me

    "Easy on Me" is a torch song and ballad [14] which places emphasis on Adele's vocals over piano instrumentation. [15] The song opens with a gentle piano, which intensifies as it progresses, leading into the vocals. [16] [17] Adele's voice mimics this according to The Guardian ' s Alexis Petridis, as it "sounds initially wounded, then soars". [17]

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  9. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

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