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The saxhorn is based on the same three-valve system as most other valved brass instruments. Each member of the family is named after the root note produced by the second partial with no valves actuated. Each member nominally possesses or possessed the typical three-valve brass range from the note one tritone below that root note (second partial ...
Concertiste – Besson's most expensive model from the 1890s to the advent of World War I. The bowed-out shape of the Concertiste's intervalve portings is the design favoured today. [2] Desideratum – Besson's second most expensive model. The main difference in configuration between the Desideratum and the Concertiste models is the ...
Horn sections with baritone saxophone were used on many rock-and-roll hits of the 1950s, several Motown hits of the 1960s featured baritone saxophonist Mike Terry, and the instrument continued to be used in horn sections in American rock and pop music. It is often in the horn sections of funk, blues, Latin, soul bands. Prominent baritone ...
By contrast, the electric guitar Jimi Hendrix played at the 1969 Woodstock Music and Art Fair was sold in 1990 to Italian collector Richard Pugliese for $324,000, equivalent to $793,446 in 2024.
Clockwise from top left: Janet Jackson, Michael Jackson, Whitney Houston and Madonna.Four of the artists who have had the largest recording contracts up to one point. [a]The following is a list of the largest music deals in history signed by artists, including recording contracts and multi-rights agreements with over $50 million, as well catalog acquisitions with a reported sum of over $150 ...
The two most expensive Stieglitz photos, 2006, click thumbnails to enlarge This page was last edited on 13 February 2025, at 02:18 (UTC). Text is available ...
As a composer, he frequently scored for the saxophone. In chamber music, the most important examples include the Sexteto místico for flute, oboe, alto saxophone, harp, guitar, and celesta (1917), Quarteto simbólico for flute, alto saxophone, harp, celesta and women's voices (1921), the Nonet (1923), Chôros No. 3 and No. 7 (1925 and 1924 ...
The two created the signature horn sound at Stax on hit records by Otis Redding, Sam & Dave and others. After recording numerous tracks at Stax, he and Jackson incorporated themselves into The Memphis Horns and began freelancing. Love and Jackson recorded at sessions for such artists as Neil Diamond, Elvis Presley and Dusty Springfield.