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Lobolo or lobola in Zulu, Xhosa, Swazi, Silozi, and northern and southern Ndebele (mahadi in Sesotho, mahari in Swahili, magadi in Sepedi and bogadiSetswana, lovola in Xitsonga, and mamalo in Tshivenda) roora in [ChiShona}, sometimes referred to as "bride wealth" [1] [2] [3] or "bride price" is a property in livestock or kind, which a prospective husband, or head of his family, undertakes to ...
The sleeve notes state that all songs are in the mbaqanga style, a guitar-based style popular at the time in the townships of Johannesburg and Durban, but the tracks actually cover four different styles, mbaqanga, mqashiyo, maskanda, and isicathamiya. [2]
Clapping is common in traditional songs of the Tswana and San peoples, among other groups in the region. [21] Wooden clappers may be used for this purpose, or marapo hand clappers crafted from bone. [18] Among the Tswana people, clapping is often done at a beat of 4/4 or 2/4. [22] It is historically the role of women to clap during songs. [21]
Fanie Fourie's Lobola is a film that everyone can enjoy with its English subtitles and message that transcends our borders." [ 1 ] Nontsikelelo Mpulo from The Drum had the following brief conclusion in her review: "The film does not shy away from dealing with the racial prejudices that still thrive in South African society.
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The important parties of the bride's maids are 1) ematshitshi (girls who have reached puberty but have not chosen a lover) 2) emaqhikiza (girls who have chosen a lover) 3) tingcugce (these are girls who have chosen a lover and are preparing for marriage). [7] The umtsimba also serves to test the hospitality of the future husband.
Nape 'a Motana (born 1945) [1] is a Pretoria-based South African writer, known for the novel Fanie Fourie's Lobola (University of KwaZulu-Natal Press, 2007), which was subsequently made into a film of the same name. His play, The Honeymoon is Over, won the New Voices Award in 1995.
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