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Black, Brown and Beige is an extended jazz work written by Duke Ellington for his first concert at Carnegie Hall, on January 23, 1943.It tells the history of African Americans and was the composer's attempt to transform attitudes about race, elevate American music, specifically jazz, to be seen as on par with classical European music, and challenge America to live up to its founding principles ...
Jazz noir (also known as "doom jazz" or "dark jazz") is noted for its often somber, mysterious or even sinister tone. It takes inspiration from film noir soundtracks and dark ambient music. [4] 1990s -> Nu jazz [5] Music that blends jazz elements with other musical styles, such as funk, soul, electronic dance music, and free improvisation. 1990s ->
Singer Adelaide Hall recorded with Ellington in 1927, 1932, and 1933, [7] but only recorded two versions of "Sophisticated Lady", in 1944 (with Phil Green And His Rhythm) [8] and in 1976, on her album Hall of Ellington. [9] The song appeared on the soundtrack of the 1989/90 documentary celebrating her life entitled Sophisticated Lady. [10]
Music for Loving is an album by American jazz saxophonist Ben Webster with tracks recorded in 1954 and released by Norgran in 1955. [1] The album was reissued in 1957 by Verve as Sophisticated Lady . [ 2 ]
Live from Emmet's Place is a weekly video-streaming broadcast and concert produced by Emmet Cohen consisting of Cohen and his trio along with invited guests. Guests on Live From Emmet’s Place represent a multigenerational cross section of jazz from the jazz masters such as Houston Person, Joe Lovano, Brad Mehldau, Christian McBride, Eddie Henderson, Steve Davis, Sheila Jordan and Victor ...
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
The smooth jazz format also added R&B; according to Cary Goldberg of JVC, Paul Hardcastle "brought a sophisticated, urban groove" to the format. She said, "Instead of bringing jazz to R&B, he's brought an R&B groove to contemporary jazz." [7] The smooth jazz music mix included 70 percent instrumentals and 30 percent vocals.
It avoids the improvisational "risk-taking" of jazz fusion, emphasizing melodic form, and much of the music was initially "a combination of jazz with easy-listening pop music and lightweight R&B." [1] [2] During the mid-1970s in the United States, it was known as "smooth radio"; the genre was not termed "smooth jazz" until the 1980s. [3]