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Toshigami (年神 or 歳神, Toshigami or Tomo, lit. "year god"), also known as Ōtoshi-no-kami (大年神, lit. "great year god"), is a Japanese kami and a part of the Shinto pantheon. Etymology [ edit ]
Another version of the myth features Ōgetsu-hime by her more common name, Ukemochi, and in this version, the moon god Tsukuyomi visits her on behalf of his sister-wife, the sun goddess Amaterasu. Ukemochi sought to entertain him and prepared a feast. First, she faced the land and opened her mouth, and boiled rice came out.
Tsukuyomi was born when he washed out of Izanagi's right eye. [5] However, in an alternative story, Tsukuyomi was born from a mirror made of white copper in Izanagi's right hand. Tsukuyomi angered Amaterasu (who in some sources was his wife) when he killed Ukemochi, the megami of food. Amaterasu once sent Tsukuyomi to represent her at a feast ...
Thus it is a kind of toshigami. The practice has shifted over the years. According to 20th century descriptions, the namahage would typically receive mochi (rice cakes) from the households they visited, [ 3 ] but newlywed couples were supposed to play host to them in full formal attire and offer them sake and food. [ 3 ]
Omamori, another kind of Japanese talisman, shares the same origin as and may be considered as a smaller and portable version of ofuda. A specific type of ofuda is a talisman issued by a Shinto shrine on which is written the name of the shrine or its enshrined kami and stamped with the shrine's seal .
The name Sambō-Kōjin means three-way rough deity, and he is considered a deity of uncertain temper. [1] Fire, which he represents, is a destructive force, as shown in the myth of Kagu-tsuchi, the original fire deity, whose birth caused his mother's death.
The Gods Lie (Japanese: 神様がうそをつく。, Hepburn: Kamisama ga Uso o Tsuku) is a Japanese manga series written and illustrated by Kaori Ozaki. It was serialized in Kodansha's Monthly Afternoon from March to July 2013, with its chapters collected in a single tankōbon volume.
With the exception of Tsunami, all Nekojiru's work has main characters drawn as cats. Even in her manga essays, Jirujiru Travel Journal and Jirujiru Diary, she drew herself as a cat. But though the characters appear as animals, the artist chose as her setting not a forest, but rather the human world.