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The Holy Spirit as a dove in the Annunciation by Rubens, 1628. The Holy Spirit has been represented in Christian art both in the Eastern and Western Churches using a variety of depictions. [1] [2] [3] The depictions have ranged from nearly identical figures that represent the three persons of the Holy Trinity from a dove to a flame. [4]
File:Holy Trinity Catholic Church (Trinity, Indiana) - stained glass, Holy Spirit as a dove.jpg
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
In Christian Iconography, a dove also symbolizes the Holy Spirit, in reference to Matthew 3:16 and Luke 3:22 where the Holy Spirit is compared to a dove at the Baptism of Jesus. [19] [20] The early Christians in Rome incorporated into their funerary art the image of a dove carrying an olive branch, often accompanied by the word "Peace".
The Holy Spirit as a dove in the Annunciation by Rubens, 1628. The Holy Spirit has been represented in Christian art both in the Eastern and Western Churches using a variety of depictions. [146] [147] [148] The depictions have ranged from nearly identical figures that represent the three persons of the Holy Trinity, to a dove, to a flame.
The Holy Spirit is shown as a white dove with a halo of the same type as Father has. The dove may be placed between the Father and the Son (if they sit near each other at the same level), or the dove may be shown in a beam of light from the mouth of the Father, as if the Holy Spirit was just sent by Him.
The Holy Ghost is a personage, and is in the form of a personage. It does not confine itself to the form of the dove, but in sign of the dove. The Holy Ghost cannot be transformed into a dove; but the sign of a dove was given to John who had baptized Jesus to signify the truth of the deed, as the dove is an emblem or token of truth and ...
Gabriel is dressed in ecclesiastical robes, while a dove hovers above Mary, representing the Holy Spirit. It expands upon the Annunciation wing of Rogier van der Weyden's Saint Columba Altarpiece of c. 1455. According to the art historian Maryan Ainsworth, the work is a "startlingly original image, rich in connotations for the viewer or worshiper".
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