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The Rama Rahasya Upanishad (राम रहस्य उपनिषत्) is a minor Upanishadic text written in Sanskrit. It is one of the 31 Upanishads attached to the Atharvaveda , [ 2 ] and classified as one of the 14 Vaishnava Upanishads .
The text of the Upanishad is presented in two sections – Rama purva Tapaniya Upanishad and Rama uttara Tapaniya Upanishad. The Purva position of the Rama Tapaniya Upanishad, says Ramdas Lamb – a professor of Religion, the folk-etymology of the word Rama is presented. Rama, asserts the text, means "he who rules" (ra jate) over the kingdom of ...
The Shukarahasya Upanishad (Sanskrit: शुकरहस्य उपनिषद्, IAST: Śukarahasya Upaniṣad), also called Rahasya Upanishad, is a Sanskrit text and one of the minor Upanishads of Hinduism. [4] It is classified under one of the 21 Samanya Upanishads and attached to the Krishna Yajurveda. [1] The text is a mix of prose and ...
The Brahmanda Purana is notable for the Adhyatma-ramayana, a Rama-focussed embedded text in it, which philosophically attempts to synthesize Bhakti in god Rama with Shaktism and Advaita Vedanta. [ 195 ] [ 196 ] [ 197 ] While an avatar of Vishnu is the main focus of the Puranas of Vaishnavism, these texts also include chapters that revere Shiva ...
Rama proposes to teach Vedanta, saying "Even by reading one verse of them [any Upanishad] with devotion, one gets the status of union with me, which is hard to get even by sages." Hanuman inquires about the different kinds of "liberation" (or mukti , hence the name of the Upanishad), to which Rama answers, "The only real type [of liberation] is ...
The Asrama Upanishad is dated to the 3rd century CE, the Naradaparivrajaka and Satyayaniya Upanishads to around the 12th century, and about ten of the remaining Sannyasa Upanishads are dated to have been composed in the 14th to 15th century CE, well after the start of Islamic Sultanates period of South Asia in the late 12th century.
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She is, according to Sarasvati-rahasya Upanishad, the goddess of anything that flows, of music, of poetry, of voice, of language, of art, of imagination. [30] The chapter 1 of the text presents the devotee's litany with words such as, "Oh Goddess, increase my understanding", "Sarasvati! make me like yourself" and "Sarasvati, may we remain ...