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Terrazzo artisans create walls, floors, patios, and panels by exposing marble chips and other fine aggregates on the surface of finished concrete or epoxy-resin. Much of the preliminary work of terrazzo workers is similar to that of cement masons. Marble-chip, cementitious terrazzo requires three layers of materials.
Cosmatesque screen at the Basilica di San Giovanni in Laterano.Some works of Deodatus di Cosma for Colonna family are housed in the basilica.. Cosmatesque, or Cosmati, is a style of geometric decorative inlay stonework typical of the architecture of Medieval Italy, and especially of Rome and its surroundings.
Carrara marble, or Luna marble (marmor lunense) to the Romans, is a type of white or blue-grey marble popular for use in sculpture and building decor. It has been quarried since Roman times in the mountains just outside the city of Carrara in the province of Massa and Carrara in the Lunigiana , the northernmost tip of modern-day Tuscany , Italy.
Marble mis-nomers: Cetechovice marble (cetechovický mramor) from Cetechovice, Kroměříž District: coloured [c] Karlík marble (karlický mramor), from Barrandien, Karlík, Prague-West District: black with gold-yellow-colour veins [d] Podol marble (Podolský mramor), from Vápenný Podol, Chrudim District: white, grey-white, rosy [e]
As a floor material, marble is easy to scratch. You can first use a vacuum cleaner to suck away the grit and dust on the marble floor, and then use a steam cleaner to remove other dirt. [34] A mild, pH-neutral, non-abrasive soap should be used for cleaning marble surfaces. Wipe with a soft foam cotton or rag. [34]
Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns.
Bands, panels and shaped reserves of intricate mosaic alternate with contrasting bands, guilloches and simple geometric shapes of plain white marble. Pavements and revetments were executed in Cosmatesque technique, columns were inlaid with fillets and bands, and immovable church furnishings like cathedras and ambones were similarly treated.
Salvatori was founded in 1946 in Querceta, Tuscany, close to the Carrara marble quarries. In 1950 the founder Guido Salvatori invented the “split face” finish, whereby the stone is opened up to expose the textured surface within. [1]
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