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Lancet windows may occur singly, or paired under a single moulding, or grouped in an odd number with the tallest window at the centre. The lancet window first appeared in the early French Gothic period (c. 1140–1200), and later in the English period of Gothic architecture (1200–1275). So common was the lancet window feature that this era is ...
However, instead of a slab, the windows were defined by moulded stone mullions, which were lighter and allowed for more openings and intricate designs. [4] Pointed arch windows of Gothic buildings were initially (late 12th–late 13th centuries) lancet windows, a solution typical of the Early Gothic or First Pointed style and of the Early ...
Windows sometimes were constructed in the classical form of a pointed arch, which is denominated an "equilateral arch", while others had more imaginative forms that combined various geometric forms (see #Forms). One common form was the lancet window, a tall and slender window with a pointed arch, which took its name from the lance. Lancet ...
A lancet arch has a radius longer than their breadth (width) and resembles the blade of a lancet. [59] [60] In the 12th-century First Pointed phase of Gothic architecture (also called the Lancet style) and before the introduction of tracery in the windows in later styles, lancet windows predominated Gothic building. [61]
The figures in the windows were often surrounded by white glass to frame them and make them stand out. Superimposed medallions, in a form called "Legendaire", became a common feature. Lancet windows became another common feature of the windows. Instead of having multiple figures, lancet windows had only a single figure, surrounded by white.
The high windows also had a strikingly complex design; in the nave, each was composed of four tall lancet windows, topped by three small roses; while in the transept the upper windows have as many as eight separate lancets. [9] The vaults have the exceptional height of 42.4 m (139 ft).
By contrast, lancet windows and ogive crossings allowed the forces to be spread across multiple points, meaning the walls no longer had to support the structures' whole weight and could have far more openings for windows. Thus far more light was allowed into the structure for the glass-painters and their colours to work with, though nothing ...
The windows on the north and south sides of the central space were designed by Hogan; each includes three tall lancet windows topped by a rose window. The area of glass in each window is 1,800 square foot (170 m 2), the sill is 51 feet (15.5 m) above the level of the floor, and the top of the rose window is 156 feet (47.5 m) above floor level.
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