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Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
The mosaics in the Dome of the Rock in Jerusalem show the influence of Byzantine designs. Some Western art historians have dismissed or overlooked Byzantine art in general. For example, the deeply influential painter and historian Giorgio Vasari defined the Renaissance as a rejection of "that clumsy Greek style" ("quella greca goffa maniera"). [20]
The development of the Byzantine enamel art occurred between the 6th and 12th centuries. [1] The Byzantines perfected a form of enameling called cloisonné, where gold strips are soldered to a metal base plate making the outline of an image.
Byzantine art is the art of the Greek-speaking Byzantine Empire formed after the division of the Roman Empire between Eastern and Western halves, and sometimes of parts of Italy under Byzantine rule. It emerges from Late Antiquity in about 500 CE and soon formed a tradition distinct from that of Catholic Europe but with great influence over it.
العربية; Aragonés; Asturianu; বাংলা; Беларуская; Беларуская (тарашкевіца) Български; Bosanski; Català
Macedonian art is the art of the Macedonian Renaissance in Byzantine art style. The period in which the art was produced, the Macedonian Renaissance, followed the end of the Byzantine iconoclasm era lasting from 867-1056, concluding with the fall of the Macedonian dynasty .
Byzantine art, once its style was established by the 6th century, placed great emphasis on retaining traditional iconography and style, and gradually evolved during the thousand years of the Byzantine Empire and the living traditions of Greek and Russian Orthodox icon-painting. Byzantine painting has a hieratic feeling and icons were and still ...
Tempera paintings on wooden panels had always made up part of the corpus of Byzantine icons, [40] but they proliferated in the Palaeologan period; the word "icon", formerly used to describe any image employed in a religious context, became increasingly associated with this kind of panel painting. [35]