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Who Would Imagine a King is a Christmas song written and composed by Mervyn Warren and Hallerin Hilton Hill, and originally recorded by Whitney Houston for the soundtrack to the 1996 film, The Preacher's Wife. In 2009, Lotta Engberg recorded the song on the album Jul hos mig. [1]
One Wish: The Holiday Album is the only Christmas album by American singer Whitney Houston.It was released by Arista Records on November 18, 2003. Chiefly produced by Mervyn Warren, along with additional production from Troy Taylor, Gordon Chambers and Barry Eastmond, One Wish features a duet with Houston's daughter Bobbi Kristina Brown.
The website's consensus reads: "A Southern Gothic played at a ferocious key, The Piano Lesson brings August Wilson's words to vivid life with an outstanding ensemble." [13] Metacritic, which uses a weighted average, assigned the film a score of 69 out of 100, based on 39 critics, indicating "generally favorable" reviews. [14]
The Piano Lesson is a 1987 play by American playwright August Wilson.It is the fourth play in Wilson's The Pittsburgh Cycle.Wilson began writing this play by playing with the various answers regarding the possibility of "acquir[ing] a sense of self-worth by denying one's past". [1]
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
Landau regards "Smackwater Jack" as a good example of the effectiveness of Goffin's and King's songwriting partnership. [3] He regards Goffin as providing "brilliant and far-ranging" lyrics, while King "is subtly embellishing the musical form itself". [3] AllMusic critic Stewart Mason agrees that the song has "dry wit and several clever lines". [4]
The coda beginning "Cuando para mucho", which is an exact copy of the instrumental intro, is initially sung to a ii (F ♯ m 7 chord), which moves to V–I (B 6 to E 6 chords) on "cora-zon", then alternates back to ii (F ♯ m 7) on "Mundo paparazzi" and "Cuesto obrigato" before again V–I (B 6 –E 6) on "para-sol" and "carou-sel".
Booker went on to record on piano with Larry Davis and his blues band in 1958, 1959, and 1960 in Houston, Texas. [19] In January 1960 in Chicago, he recorded on piano with Junior Parker. [19] He recorded on piano with Dave Bartholomew's studio band and Earl King, when King recorded for Imperial records in New Orleans in 1960 and 1961. [20]
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