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On 7 January 1964, the Chinese Character Reform Committee submitted a "Request for Instructions on the Simplification of Chinese Characters" to the State Council, mentioning that "due to the lack of clarity on analogy simplification in the original Chinese Character Simplification Scheme (汉字简化方案), there is some disagreement and confusion in the application field of publication”.
A character with only one meaning is a monosemous character, and a character with two or more meanings is a polysemous character. According to statistics from the "Chinese Character Information Dictionary", among the 7,785 mainland standard Chinese characters in the dictionary, there are 4,139 monosemous characters and 3,053 polysemous characters.
Characters and components may reflect aspects of meaning or pronunciation. The best known exposition of Chinese character composition is the Shuowen Jiezi, compiled by Xu Shen c. 100 CE. Xu did not have access to the earliest forms of Chinese characters, and his analysis is not considered to fully capture the nature of the writing system. [14]
The Thousand Character Classic has its own form in representing the Chinese characters. For each character, the text shows its meaning (Korean Hanja: 訓; saegim or hun) and sound (Korean Hanja: 音; eum). The vocabulary to represent the saegim has remained unchanged in every edition, despite the natural evolution of the Korean language since then.
Wanting an improvement upon earlier dictionaries, as well as to show his concern for Confucian culture and to foster standardization of the Chinese writing system, its compilation was ordered by the Kangxi Emperor in 1710, from whom the compendium gets its name. The dictionary was the largest of its kind, containing 47,043 character entries. [1]
Munjado is a Korean decorative style of rendering Chinese characters in which brush strokes are replaced with representational paintings that provide commentary on the meaning. [2] The characters thus rendered are traditionally those for the eight Confucian virtues of humility, honor, duty, propriety, trust, loyalty, brotherly love, and filial ...
Traditional Chinese characters continue to be used for ceremonial, cultural, scholarly/academic research, and artistic/decorative purposes. [12] In the People's Republic of China, traditional Chinese characters are standardised according to the Table of Comparison between Standard, Traditional and Variant Chinese Characters. [13]
Chinese characters "Chinese character" written in traditional (left) and simplified (right) forms Script type Logographic Time period c. 13th century BCE – present Direction Left-to-right Top-to-bottom, columns right-to-left Languages Chinese Japanese Korean Vietnamese Zhuang (among others) Related scripts Parent systems (Proto-writing) Chinese characters Child systems Bopomofo Jurchen ...