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In traditional Japanese aesthetics, wabi-sabi (侘び寂び) is a world view centered on the acceptance of transience and imperfection. [2] The aesthetic is sometimes described as one of appreciating beauty that is "imperfect, impermanent, and incomplete" in nature. [3] It is prevalent in many forms of Japanese art. [4][5]
Furo (風呂), or the more common and polite form ofuro (お風呂), is a Japanese bath and/or bathroom. Specifically it is a type of bath which originated as a short, steep-sided wooden bathtub. Baths of this type are found all over Japan in houses, apartments and traditional Japanese inns (ryokan) but are now usually made out of a plastic or ...
Entrance to the sentō at the Edo-Tokyo Open Air Architectural Museum. Sentō (銭湯) is a type of Japanese communal bathhouse where customers pay for entrance. Traditionally these bathhouses have been quite utilitarian, with a tall barrier separating the sexes within one large room, a minimum of lined-up faucets on both sides, and a single large bath for the already washed bathers to sit in ...
' wall-curtain ') more images: Lintel-mounted curtain, with ties Made of narrow-loom cloth . Similar to a kichō, which however is free-standing. Coloured streamers are called nosuji (野筋), and are ties for tying it up. Archaic Zejyō (軟障) more images: Tab-top flat-panel curtains Made from narrow-loom cloth (tanmono). May be illustrated ...
Japanese architecture (日本建築, Nihon kenchiku) has been typified by wooden structures, elevated slightly off the ground, with tiled or thatched roofs. Sliding doors (fusuma) and other traditional partitions were used in place of walls, allowing the internal configuration of a space to be customized for different occasions.
Japanese aesthetics. Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful.
They are most commonly found in Japan, the home of kami worship. [1] The kamidana is typically placed high on a wall and contains a wide variety of items related to Shinto-style ceremonies, the most prominent of which is the shintai, an object meant to house a chosen kami, thus giving it a physical form to allow worship.
The practice of marking sacred areas began in Japan as early as the Yayoi period (from about 500 BC to 300 AD) originating from primal Shinto tenets. Features in the landscape such as rocks, waterfalls, islands, and especially mountains, were places believed to be capable of attracting kami, and subsequently were worshiped as yorishiro. [3]
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