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Sassmannshaus taught children from the ages four to six at a time when starting at ten was still considered normal. Unlike Shinichi Suzuki (founder of the Suzuki Method), he introduced note-reading early, using a large-print format. To teach pitch and rhythm he used familiar folk songs and texts, and often the same song recurs later to teach a ...
Born in Würzburg, Germany, he is the son of violin pedagogue Egon Sassmannshaus.After receiving his bachelor's degree from Cologne, where he studied with Igor Ozim, Sassmannshaus received a master's degree from the Juilliard School as a scholarship student of Dorothy DeLay, and won first prize in the International Chamber Music Competition in Colmar, France.
Kurt Sassmannshaus (faculty 1983–present) is a violinist, teacher, and conductor. He is CCM's distinguished Dorothy Richard Starling Chair for Classical Violin, a position previously held by the late Dorothy Delay. Sassmannshaus has taught around the world, including master classes in Europe, the United States, Japan, China, and Australia ...
Yost may be more widely known for his Yost Violin System, a myriad of method books for the violin, which focus on building basic technique to solidify one's playing. Who's Who in America asserted he had made "revolutionary discoveries" with his publication of the Yost System. [4] Some of his books include: Studies in Pizzicato and Harmonics
Dorothy DeLay was born on March 31, 1917, in Medicine Lodge, Kansas to parents who were musicians and teachers. [2] [3] She began studying violin at age 4.At age 14, she graduated from Neodesha High School, where her father was superintendent.
Euler's Tonnetz. The Tonnetz originally appeared in Leonhard Euler's 1739 Tentamen novae theoriae musicae ex certissismis harmoniae principiis dilucide expositae.Euler's Tonnetz, pictured at left, shows the triadic relationships of the perfect fifth and the major third: at the top of the image is the note F, and to the left underneath is C (a perfect fifth above F), and to the right is A (a ...
Li studied at the Central Conservatory of Music in Beijing for ten years before beginning studies at the Juilliard School in 1996.At Juilliard, Li studied with Dorothy DeLay, Itzhak Perlman and Hyo Kang; he later continued his studies with Delay and Kurt Sassmannshaus at the University of Cincinnati Conservatory of Music.
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