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The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, [1] often combined with other elements.
The Islamic arabesque is a form of artistic decoration consisting of "rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, [13] often combined with other elements. It usually consists of a single design which can be 'tiled' or seamlessly repeated as many times as desired. [14]
Some earlier schemes create designs using mixtures of tiles each of a single colour that are either cut to shape or are small and of a few shapes, used to create abstract geometric patterns. Later large painted schemes use tiles painted before firing with a part of the scheme – a technique requiring confidence in the consistent results of firing.
There is no text, but there is a grid pattern and color-coding used to highlight symmetries and distinguish three-dimensional projections. Drawings such as shown on this scroll would have served as pattern-books for the artisans who fabricated the tiles, and the shapes of the girih tiles dictated how they could be combined into large patterns.
Vegetal arabesque motifs were also used, though less frequently. [5] Geometric patterns were created on the basis of tessellation: the method of covering a surface with the use of forms that can be repeated and fitted together without overlapping or leaving empty spaces between them. These patterns can be extended infinitely.
The details of the pattern indicate that girih tiles, rather than compass and straightedge, were used for decorating the shrine. The patterns appear aperiodic; within the area on the wall where they are displayed, they do not form a regularly repeating pattern; and they are drawn at two different scales. A large-scale pattern is discernible ...
Tiles were glazed in a single colour, cut into geometric shapes, and assembled to form geometric patterns. Many examples can be admired in the Alhambra of Granada . [ 9 ] This tradition was continued for a time in Mudéjar architecture in Spain (e.g. in the 14th-century sections of the Alcázar of Seville ), [ 10 ] and has been perpetuated to ...
To enliven the surfaces of wall and floor, Mudéjar art developed complicated tiling patterns. The motifs on tile work are often abstract, leaning more on vegetal designs and straying from figural images (which is common in Islamic work). The colors of tile work of the Mudéjar period are much brighter and more vibrant than other European styles.
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