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This is a list of English poems over 1000 lines. This list includes poems that are generally identified as part of the long poem genre, being considerable in length, and with that length enhancing the poems' meaning or thematic weight. This alphabetical list is incomplete, as the label of long poem is selectively and inconsistently applied in ...
In Spiritual Leadership (1967), John Oswald Sanders published a poem beginning with the words "When God wants to drill a man" and credited it to author anonymous. Sanders' version replaces Angela Morgan's "Nature" with "God" and her feminine pronouns with masculine ones. [1] Excerpt from Sanders' 1967 Version [2] When God wants to drill a man
The passage known as Genesis B survives as an interpolation in a much longer Old English poem, the rest of which is known as Genesis A, which gives an otherwise fairly faithful translation of the biblical Book of Genesis. Genesis B comprises lines 235-851 of the whole poem. Genesis B and Genesis A survive in the partially illustrated Junius ...
Poems of Sentiment and Reflection (1815–32); Poems of the Imagination (1836–) 1807 Vaudracour and Julia 1804 "O happy time of youthful lovers (thus" Poems founded on the Affections: 1820 The Cottager to her Infant, by my Sister 1805 "The days are cold, the nights are long," Poems founded on the Affections: 1815 The Waggoner 1805
"The Collar" is a poem by Welsh poet George Herbert published in 1633, and is a part of a collection of poems within Herbert's book The Temple. [1] The poem depicts a man who is experiencing a loss of faith and feelings of anger over the commitment he has made to God.
Wordsworth borrowed a copy while still a schoolboy, and the poem's influence on his Tintern Abbey and The Prelude is widely recognised. [9] The late nineteenth century English novelist George Gissing read three books of the poem in April 1892, describing it as "rather a favourite of mine, oddly". [10]
"Anathemata" is Greek for "things set apart," or "special things." In lieu of any coherent plot, notes William Blissett, the eight sections of Jones' poem repeatedly revolve around the core history of man in Britain "as seen joyfully through Christian eyes as preparation of the Gospel and as continuation of Redemption in Christendom, with the Sacrifice of Calvary and the Mass as eternal centre."
[1] [2] [3] It is an effort to rationalize or rather "vindicate the ways of God to man" (l.16), a variation of John Milton's claim in the opening lines of Paradise Lost, that he will "justifie the wayes of God to men" (1.26). [4] It is concerned with the natural order God has decreed for man.