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The resurrection of Jesus (Biblical Greek: ἀνάστασις τοῦ Ἰησοῦ, romanized: anástasis toú Iēsoú) is the Christian belief that God raised Jesus from the dead on the third day [note 1] after his crucifixion, starting – or restoring [web 1] [note 2] – his exalted life as Christ and Lord.
Matthew 9 is the ninth chapter of the Gospel of Matthew in the New Testament.It continues the narrative about Jesus' ministry in Galilee as he ministers to the public, working miracles, and going through all the cities and towns of the area, preaching the gospel, and healing every disease. [1]
The text also makes no note of why there is a two-day delay between the opening of the tombs upon Jesus' death and the saints' appearance in the city only after Jesus' resurrection. If these events only happen two days hence, why are they mentioned here and not with the miraculous events of the resurrection in Matthew 28:2? Some later ...
The raising of holy people who had died points to 'the resurrection of the last days' (Isaiah 26:19; Daniel 12:2) which starts with Jesus' resurrection. [2] It is only reported in Matthew, tied to the tearing of the temple curtain as the result of the earthquake noted in verse 51. [3]
The raising of the son of the widow of Nain (or Naim) [1] is an account of a miracle by Jesus, recorded in the Gospel of Luke chapter 7. Jesus arrived at the village of Nain during the burial ceremony of the son of a widow, and raised the young man from the dead. (Luke 7:11–17) The location is the village of Nain, two miles south of Mount Tabor.
In the Catacombs of Rome, artists just hinted at the Resurrection by using images from the Old Testament such as the fiery furnace and Daniel in the Lion's Den. The period between the year 250 AD and the liberating Edict of Milan in 313 AD saw violent persecutions of Christians under Decius and Diocletian. The most numerous surviving examples ...
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The Raising of Lazarus is an oil-on-panel painting by the Dutch artist Rembrandt from early in his career; it was probably painted between 1630 and 1632. The work depicts the Raising of Lazarus as told in the Gospel of John, Chapter 11. It is in the collection of the Los Angeles County Museum of Art.